Entertainment attorney in Portland and Seattle. Extensive experience in trademarks, copyrights and entertainment law.
About My Law Practice
Entertainment Law (Drafting/Negotiating/Consulting on All Types of Music, Film, Television, Theatre, Visual Arts, Computer Game, and Book Publishing Contracts); Copyright/Trademark Law (U.S. and International); Federal Trademark Applications and Trademark Trial and Appeal Board proceedings; Section 203 and 304 Copyright Terminations/Reversions; Digital Distribution; Content Licensing (U.S./International); Royalty Collection; Music Publishing Issues; Internet Law; E-Commerce; Strategic Alliances, Sponsorships, Joint Ventures, and Co-Branding Agreements; Analyzing the Legal Ramifications of New Business Models/Opportunities.
Personal Background
Admitted to practice before U.S. District Courts, U.S. Court of Appeals for the Ninth Circuit, and the U.S. Supreme Court.
"AV" (the highest) rating in the national Martindale-Hubbell Law Directory
Member of Executive Committee of the Intellectual Property Section of the Oregon State Bar
2002-2007, Vice-President of Business Affairs for an entertainment company headquartered in Los Angeles.
Prior experience as artist manager and attorney for major concert promotion company, and as outside counsel for major computer game company.
Publications
Author, “The Seven-Year Law",2003, cited in “California Labor Code Section 2855 and Contracts”, 116 Harvard Law Review 2632 (June, 2003).
Co-author of chapter ("Contracts and Relationships between Major Labels and Independent Labels") in The Musician’s Business and Legal Guide, a book compiled by the Beverly Hills Bar Association and published by Prentice-Hall Publishing (4th ed. 2007). The chapter explores in detail record distribution agreements, joint ventures, incubator deals, upstreaming deals, production deals, equity deals, and master licensing agreements.
Co-author of the book "Music Is Your Business: The FourFront Strategy for Success," published in 2007.
Author of monthly column ("Legal Ease") on entertainment and intellectual property law, Two Louies Magazine, 1987-2004.
Groups and Associations:
Elected Member of Board of Governors of The Recording Academy, for the Pacific Northwest Chapter (Seattle), presenter of the Grammy Awards, 2011-present and 2000-2004.
Member, California Copyright Conference
Panel and Speaking Engagements
Panelist and speaker at numerous intellectual property law and entertainment law conferences in New York, Los Angeles, San Francisco, Portland, Seattle, Nashville, Austin, Texas, Sundance, Utah, and Vancouver, B.C.
Organizer, Northwest Independent Music Conference, Portland, 1996
Co-Chair, Washington State Bar Assn. Entertainment Law Conference, 2006
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Practice Areas
49 years | 1,500 cases
47 years | 500 cases
47 years | 500 cases
Always
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Chat withState: Oregon
Acquired: 1985
No misconduct found
State: Washington
Acquired: 2016
No misconduct found
State: Hawaii
Acquired: 1977
No misconduct found
1435 N.W. 19th Avenue, Portland, OR, 97209
Showing 1 - 5 of 6 client reviews from Avvo
Posted by Deborah | March 31, 2018 | Hired Attorney
Our company (independent record label) needed help with a music licensing contractual matter. Mr. Day was able to quickly ascertain the issues, provided great advice, and has followed up with emails and phone calls. The issue at hand is still in progress and we are expecting a favorable outcome. W...
Posted by Nester Murira | March 5, 2018 | Consulted Attorney
Responded promptly to my question and referred me to other legal services I can access.
Posted by anonymous | January 27, 2015
Bartley F. Day was clearly the most thorough, informed, and concerned of all the attorneys who responded to our situation. I was very impressed with his follow-through, intelligence, and advice and recommend him. He represents clients in California as well, which is great.
Posted by Jimmy M | February 19, 2013
Mr. Day helped me with some contractual items. He got back to me right away and helped resolve the matter quickly. Highest rating.
Posted by cat | August 7, 2010
Mr. Day is that rare combination of a brilliant legal mind, and the ethical character of a born leader! His great technical background is 'what it takes' to deal with the complexity of the modern entertainment world. He helped our group in many ways, and would like to thank him & recommend him high...
"Bart is widely viewed as the best entertainment lawyer in Oregon, and rightly so. HIs insight, knowledge experience and patience combine to make him a superlative attorney."
"Consistently top notch, in fact among the very best, answers on Entertainment law, here on Avvo. You can rely on this attorney to steer you correctly on Entertainment issues, where correct advice is so important to striving entertainers and artists."
Intellectual property lawyer
Intellectual property lawyer
2016
Inductee, OREGON MUSIC HALL OF FAME
2008
"AV" (highest rating), Martindale-Hubbell Law Directory
1976
Law Review, Washington University School of Law
2011 - Present
Partner, Day & Koch LLP
2008 - 2011
Attorney, Entertainment Law Group
2002 - 2008
Vice-President, Business Affairs,, Media Creature, Los Angeles
2012 - Present
Oregon Volunteer Lawyers for the ArtsMember of Board
2004 - Present
Northstar/Painted SkyMember of Board
2007 - 2011
Oregon State BarMember of Executive Committee, IP Section
2007 - 2011
California Copyright ConferenceMember
2000 - 2011
The Recording Academy (Grammy Awards)Board of Governors
N/A
JD - Juris Doctor Juris Doctor
2013
Music Licensing
2008
Entertainment Industry and Copyright Law
2006
Digital Distribution
2006
Music Licensing (Panel Moderator)
2005
Digital Music Distribution
2005
Film Music Agreements
2005
Entertainment Law
2004
Recording and Publishing Contracts
2004
Structuring and Negotiating Large Entertainment Industry Joint Ventures
2002
Recording and Publishing Contracts
1998
Music Licensing
1998
Negotiaing Recording Contracts
1994
Film Industry Agreements
2009
2008
2008
2008
2007
2007
2006
2003
Legal Answers
Do I negotiate a payment when I sign an attachment agreement?
15 Jun 2021
What are the pro and cons on agreeing to a sunset clause? Also, how does commission work with 2 separate talent reps.
27 Aug 2019
Entertainment (music) lawyer fees for a contract with a major US label on behalf of an artist?
14 Nov 2017