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Bennett J. Fidlow has been involved in the entertainment industry for over 30 years. He began his career as lighting designer for live theatre and dance companies, then became a theater producer, and finally an entertainment attorney. He has worked at some of the most prestigious entertainment law firms in the country as well as a major Hollywood studio and a Broadway producing company. He has lived and worked in New York and Los Angeles for most of his career (with a 15-year stretch in Richmond, VA).
Mr. Fidlow has been involved at all levels of the entertainment industry, both big & small; from studio deals to indie films; from live theatre to Internet projects. He specializes in film, television, home entertainment, theatre, visual arts, copyright and Internet matters. His firm's expertise also includes entertainment financing, music deals, literary publishing, licensing, intellectual property, general business matters as well as litigation.
3
Practice Areas
37 years
37 years
37 years
We have not found any cost information for this lawyer
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Chat withState: Virginia
Acquired: 2004
No misconduct found
State: California
Acquired: 1988
No misconduct found
10100 Santa Monica Blvd., Suite 2200, Los Angeles, CA, 90067
Showing 1 - 2 of 2 client reviews from Avvo
Posted by Jesse | March 17, 2015
The guy had a "perfectly legally", and concise answer to a question about the difference between owning a book and a right to download a copy (somehow) digitally for tablet reference as well as the solid page turner. The answer: NO. There are offers from some books to dl a copy. Although, very ...
Posted by Steven | February 19, 2010
The "iron man" title was actually coined by my colleague and research consultant Dr. Bill Chitwood of whom determined it was the only proper title for Mr. Fidlow after observing his talents and knowledge throughout our various endeavors. Afterwards, the title just stuck, and he has consistently live...
"Mr. Fidlow was my Entertainment Law professor. It is obvious to me that he knows this area of law inside and out. I use much of what I learned in his class within my own practice, and I would recommend his services to anyone seeking answers related to entertainment law."
Unknown lawyer
Entertainment lawyer
2016
Top Attorney - Entertainment, Super Lawyers Magazine
2016
Foremost Legal Practitioners - Entertainment, Who's Who Legal
2015
Foremost Legal Practitioners - Entertainment, Who's Who Legal
2015
Top Attorney - Entertainment, Super Lawyers Magazine
2014
Top Attorney - Entertainment, Super Lawyers Magazine
2013
Top Attorney - Entertainment, Super Lawyers Magazine
2012
Top Attorney - Entertainment, Super Lawyers Magazine
2011
Top Attorney - Entertainment, Super Lawyers Magazine
2010
Top Attorney - Entertainment, Super Lawyers Magazine
2009
BV Rating, Martindale-Hubbell
2009
Top Attorney - Entertainment, Super Lawyers Magazine
1988
Nathan Burkan Copyright Award, ASCAP
2015 - Present
Managing Partner, Entertainment Law, PLC
2006 - 2015
Adjunct - Entertainment Law, University of Richmond, School of Law
2003 - 2015
Partner, Schroder Fidlow, PLC
1993 - 1996
Head of Business & Legal Affairs, Metro-Goldwyn-Mayer (MGM) Studios, Home Entertainment Division
1988 - 1991
Attorney, Bloom, Dekom & Hergott
2010 - Present
Leadership Metro Richmond
1988 - Present
Beverly Hills Bar Association, Entertainment Law Section
2008 - 2012
The Podium Foundation - High School Literacy ProgramBoard of Directors
2006 - 2012
Barksdale TheatreBoard of Directors
2004 - 2010
Children's Museum of RichmondBoard of Directors
2000 - 2003
Beverly Hills Bar Association, IP/Internet New Media SectionExecutive Committee
U.S. Supreme Court affirmed for artist
1989
MFA
1988
JD - Juris Doctor
1983
BFA
2011
Entertainment Law
2010
Entertainment Law
2009
Entertainment Law
2008
Entertainment Law
2007
Entertainment law
2007
Bio Films & Docudramas
1988
English
Legal Answers
How Far Can a Business/Entertainment Lawyer Go?
20 Jul 2017
Do I need a licensing agreement from the Chicago Cubs to reproduce limited edition prints from painting of Wrigley Stadium?
24 Feb 2017
Would it be doubling dipping to have an entity agree to a split of the profits as a producer and be paid for production roles?
07 Jan 2017